In this essay, David Harvey argues that the real problem demanding our attention is private property, not the commons itself. The capitalist commons is being continuously enclosed, but it is also being continuously produced. To fulfill our common interests, we need to look to the powers of collective labor to address capitalism's destruction of land and labor resources.
This article argues that labour can be understood as a commons, located in the discussion of how commons can advance the transformation of social relations and society. To manage labour as a commons entails a shift away from the perception of labour power as the object of capital’s value practices, towards a notion of labour power as a collectively and sustainably managed resource for the benefit of society. Given that social change is largely a result of social struggle, it is crucial to examine germinal forms of labour as a commons present in society. I focus my analysis on worker-recuperated companies in Latin America and Europe. Worker-recuperated companies are enterprises self-managed by their workers after the owners close them down. Despite operating within the hegemonic capitalist market, they do not adopt capitalist rationality and are proven viable. Worker-recuperated companies offer a new perspective on labour as a commons.
Srbija se nalazi pred novom tranzicijom, koja će ovog puta biti energetska, što podrazumeva prelazak iz sistema u kome se za proizvodnju energije dominantno koriste neobnovljivi izvori u sistem koji je zasnovan na korišćenju obnovljivih izvora energije. Iskustva ekonomske tranzicije govore nam da broj gubitnika ove tranzicije bio značajno veći nego broj onih koji su iz ekonomske tranzicije profitirali. Da se takva situacija ne bi ponovila i sa energetskom tranzicijom neophodno je u njenu implementaciju uvesti pravednost i socijalnu osetljivost, kako bi se zaštitili najsiromašniji koji su potencijalni gubitnici i energetske tranzicije.
Knjigu je napisao tadašnji profesor prava na Stenford Univerzitetu kao rezultat istraživanja o opasnostima i ograničenjima koncepta copyright-a za sve kreativne delatnosti, od različitih umetničkih disciplina do cyber prostora, deljenja znanja i pristupa rezultatima kreativnog rada.
Knjiga Postajanje majkom sadrži umetniãke radove, interdisciplinarne studije iz oblasti humanistiãkih i društvenih nauka, kao i tekstove koji se bave promišljanjem liãnog i aktivistiãkog iskustva i rada. Nastajala je u procesu istraživanja koje je sprovedeno kako bi se preispitale institucionalizovane prakse materinstva u savremenom društvu, njihovi efekti u svakodnevnom životu, kao i vidovi otpora i (radikalne) politiãke subjektivizacije u odnosu na njih. Knjiga je usmerena na demistifikaciju, denaturalizaciju i reevaluaciju normi materinstva koje uvek ukazuju na odnose u specifiãnim materijalnim uslovima i okolnostima centriranja ili decentriranja javne ili privatne moçi ili društvenosti. Bavi se materinstvom kao globalnim problemom, kroz analize i iskustva angažmana u pojedinim zemljama, ali ukazuje i na specifiãnosti lokalnog konteksta, kroz iskustva u pojedinim bivšim jugoslovenskim republikama, što predstavlja pokušaj povezivanja odre∂enih globalnih trendova sa posebnostima u lokalnoj sredini.
Ungoverning Dance examines the work of progressive contemporary dance artists in continental Europe from the mid 1990s to 2015.
In Ostrom’s central concept of polycentrism, local decision making groups must often be ‘‘nested’’ within state structures at a higher level, so that the higher structures can provide the coercion and other resources that make local negotiation efficient.
U publikaciji “Model zadružnog organizovanja po meri nestandardnih radnika” predstavljeni su rezultati uporedne analize modela zadruga koji okupljaju samostalne radnike (samozaposlene, frilensere, samostalne umetnike itd.), i koje su osnovane sa ciljem da se smanji prekarnost kojoj je ova grupa radnika izložena.
Situated in the post-welfare transition of European societies within the context defined by austerity measures, unemployment, the financialisation of real estate stocks and the gradual withdrawal of public administrations from social services, this book aims at highlighting the importance of self-organised, locally rooted, inclusive and resilient community networks and civic spaces.
This issue of Crisis and Critique brings together some of the most important contemporary thinkers, who engage with the historical, political and philosophical resonances of the Bolshevik Revolution into our context.They engage with different dimensions which compose the Bolshevik Event and its aftermath.The point is not to reassert the relevance of the Revolution, nor explore the possibilities of faithfulness to it, but rather, the aim of this issue is to claim that politics of emancipation, philosophy and history cannot be the same after this Revolution. It is a unavoidable point of reference, one that cannot be simply ignored.
Derivative rights (like the right to be treated with dignity) should become fundamental and fundamental rights (of private property and the profit rate) should become derivative. But new rights can also be defined: like the right to the city which is not merely a right of access to what the property speculators and state planners define, but an active right to make the city different, to shape it more in accord with our heart's desire, and to re-make ourselves thereby in a different image.
Knjiga je zbirka uvodnih izlaganja na seminaru koji je organizovan od 12. do 15. februara 1968. godine, kao i diskusija, postavljanih pitanja i odgovora. Uvodni tekstovi pokrivaju dominantne teme u kulturi, obrazovanju i nauci u jugoslovenskom samoupravnom drluštvu krajem 60-tih godina.
In this book James Boyle describe what he calls the range wars of the information age-today’s heated battles over intellectual property.
The book seeks to show the range of enclosures of the commons now underway, theoretical approaches to understanding the commons, and specific projects that use commons principles to generate, protect and share resources.
Stephen Pimpare speaks with David Pilling about his new book, The Growth Delusion: Wealth, Poverty, and the Well-Being of Nations, which helps us understand the problems with how we typically evaluate national economies and offers some alternative approaches even though each of those options presents their own challenges.
The book explores the ideological thoughts under the notion of the commons and asks how this shapes the reality of our living together. Pays attention to the aesthetic dimension of communism as an ideology: what artistic strategies and what aesthetics do commoners adopt? After half a century of neoliberalism, a new radical, practice-based ideology is making its way from the margins: commonism, with an o in the middle. It is based on the values of sharing, common (intellectual) ownership and new social co-operations. Commoners assert that social relationships can replace money (contract) relationships. They advocate solidarity and they trust in peer-to-peer relationships to develop new ways of production. Commonism maps those new ideological thoughts. How do they work and, especially, what is their aesthetics? How do they shape the reality of our living together? Is there another, more just future imaginable through the commons? What strategies and what aesthetics do commoners adopt? This book explores this new political belief system, alternating between theoretical analysis, wild artistic speculation, inspiring art examples, almost empirical observations and critical reflection.
Demokratičnim preduzećem smatra se svako preduzeće kojim upravljaju njegovi radnici, a koje se istovremeno nalazi u njihovoj (kolektivnoj ili privatnoj) svojini. Najrasprostranjeniji formalno-pravni oblik demokratskog preduzeća su zadruge koje odlikuje kolektivno radničko vlasništvo i zajedničko upravljanje prema principu „jedan član-jedan glas“. U prvom delu analize predstavljane su osnovne crte postojećih praksi radničkog akcionarstva i njihove ključne specifičnosti, a podrobnije je opisan model zadružnog radničkog akcionarstva. Drugi deo istraživa- nja ispituje mogućnost primene ovog modela u Srbiji, te na njegovom tragu, predlaže model „holding zadruge“ koji bi mogao biti ostvaren u okvirima domaćeg zakonodavstva.
Stavrides appeals for a new understanding of common space not only as something that can be governed and open to all, but as an essential aspect of our world that expresses, encourages, and exemplifies new forms of social relations and shared experiences.
Dijelovi ove knjige možda mogu biti prihvaćeni kao uputnice u alternativne prakse pozajedničenja (commoning) koje u teoriji odrasta (degrowth) označavaju imaginarij izlaska iz okvira kapitalizma.
This publication explores new politics in Europe and describes the commons in different spheres of society, economy and politics. The book is divided into seven thematic sections. Most sections have a theoretical position and a practical case study. All sections feature influential thinkers whose voices we want to amplify. This book is comprised of the insights of more than 20 writers, activists and pioneers, standing on the shoulders of hundreds more.
Knjiga je skup tekstova i istraživanja Branka Horvata koji je pokušao da osnovne pojmove jugoslovenskog socijalizma objasni na jasan i jednostavan način ("zbog toga nema ni citata, ni bibliografije, ni druge uobičajene aparature"), uzimajući za uzor Buharinovu knjigu "ABC komunizma" koju smatra dobrom idejom, ali lošom knjigom. U svom teorijskom radu, Horvat socijalizam posmatra kao svetsko-istorijski proces sa tri karakteristična prelaza ka socijalizmu: prelaz razvijenih kapitalističkih zemalja, prelaz etatističkih zemalja i prelaz nerazvijenih zemalja. Međutim, jugoslovenki slučaj ne pripada ni jednom od njih i zato je ovu knjigu posvetio upravo objašnjenju specfiičnosti jugoslovenskog socijalističkog projekta.
The main affirmation of artistic practice must today happen through thinking about the conditions and the status of the artist's work. Only then can it be revealed that what is a part of the speculations of capital is not art itself, but mostly artistic life. Artist at Work examines the recent changes in the labour of an artist and addresses them from the perspective of performance. It draws its conclusions mainly from the argument that art no longer needs to re-affirm itself as a socially relevant and useful activity because this would lock it within immanent capitalist (and populist) production of value. Instead, art has to rediscover its material basis and 'occupy' exactly those abstractions which enable the preservation of the capitalist system and reproduction of capital. The book would like to remind art – which has constantly thermalized and practiced politics during the last decades – that it has forgotten its power to connect the abilities of the abstract (thinking) with the actual abstractions (value, capital, productivity, money, commodity, time, etc.)
Autor/ka: Lawrence Lessig Izdavač: The Pinguin Press Mesto izdanja: New York Godina izdanja: 2004 Materijal: knjiga Professor Lessig analyzes [...]
At the end of February 2017, Pascal Gielen gave this lecture on the relationship between art, politics and the civil space in the creative city, as part of a programme which ran alongside CCA's exhibition Forms of Action (28 Jan - 12 Mar 2017) on socially engaged art practices. The lecture is based on a pilot research project Gielen undertook for the European Cultural Foundation in 2016, and also looks at how activists and creative workers respond to this policy by organising themselves in alternative ways.
The article discusses the threats to academic freedom coming from the state and market trying to sketch a theory of academic freedom taking us beyond our need to defend academic work and institutions from these threats.
Ovde bih želeo da istražim jedan drugi vid kolektivnog prava – pravo na grad u kontekstu oživljavanja interesovanja za ideje Anrija Lefevra o tom pitanju, kao i pojavu svih vrsta društvenih pokreta širom sveta koji sada traže takvo pravo.
By connecting economics, politics and aesthetics and analysing their relations, Hardt arrives at questions concerning the role of the artist and the meaning of his or her work in the distribution of the common.
Tema predavanja je konstrukcija pravnih institucija kroz društvene pokrete.
Praktičan vodič objašnjava pojmove lizinga u domenu rada i radnih prava, objašnjava zakonski okvir radnog prava u Srbiji, prenosi iskustva i preporuke iz međunarodnog konteksta i preporučuje promene koje je neophodno napraviti da bi se ublažio pritisak na radnike.
Publikacija predstavlja niz uvodnih studija koje povezuje jedno jednostavno pitanje: kakva je uloga zajedničkih dobara u prošlim društvima i na koji način ona mogu pomoći u izgradnji budućih. S tim na umu, ova publikacija proučava pojam zajedničkih dobara kroz kritiku kapitalizma kao sistema robne proizvodnje i rasprave o njegovim mogućim alternativa.
