Creative or common city? Civic or civil society?

2020-11-12T01:04:59+01:00Tags: , , |

At the end of February 2017, Pascal Gielen gave this lecture on the relationship between art, politics and the civil space in the creative city, as part of a programme which ran alongside CCA's exhibition Forms of Action (28 Jan - 12 Mar 2017) on socially engaged art practices. The lecture is based on a pilot research project Gielen undertook for the European Cultural Foundation in 2016, and also looks at how activists and creative workers respond to this policy by organising themselves in alternative ways.

Sloboda stvaralaštvu

2018-06-15T14:44:35+01:00Tags: |

Tematski broj časopisa Zarez obuhvata niz prevedenih i novih tekstova koji problematizuju slobodu stvaralašta u uslovima marketizacije interneta, kontrole distribucije znanja i proizvoda kreativnih delatnosti i nauke.

Analiza efekata primene izmena i dopuna Zakona o radu

2020-11-12T22:52:12+01:00Tags: , , , |

Ovo je rezultat rada na analizi efekata i rezultata dvogodišnjeg sprovođenja Zakona o radu donetog 2014. godine. Na analizi je radio tim stručnjaka koji je obradio rezultate ispitivanja različitih grupa aktera (sindikati, poslodavci, državna tela, nevladine organizacije...) i uz konsultacije za drugim zainteresovanim stranama (Ministarstvo za rad, zapošljavanje boračka i socijalna pitanja, Nacionalna služba zapošljavanja, Međunarodna organizacija rada, Savez samostalnih sindikata Srbije, Unija poslodavaca, Beogradski centar za ljudska prava...).

The future of the commons

2018-06-15T15:04:10+01:00Tags: , , , , |

In this essay, David Harvey argues that the real problem demanding our attention is private property, not the commons itself. The capitalist commons is being continuously enclosed, but it is also being continuously produced. To fulfill our common interests, we need to look to the powers of collective labor to address capitalism's destruction of land and labor resources.

Pravo na grad

2018-06-15T15:08:19+01:00Tags: , , |

Anri Lefebvre u ovom tekstu predlaže transdukciju, ekspermentalnu utopiju kao mentalne postupke za osmišljavanje novog humanizma i novog grada. Pravo na urbani žvot može da stvori samo radnička klasa i za to su joj potrebni politički program urbane reforme i urbanistički projekti.

Otvorena kultura i priroda mreža

2020-11-12T01:06:55+01:00Tags: , |

Knjiga obuhvata 11 tekstova Feliksa Štaldera.Prvih sedam se bavi različitim aspektima nastanka i kritikom “otvorenih kultura”, tj. novih procesa u kulturi inspirisanih Pokretom za kompjuterski softver slobodnog i otvorenog kôda. Dok je nedavna praksa ovog pokreta važna referenca, kulturne prakse koje su otvorene za slobodnu rekonfiguraciju su, naravno, mnogo starije, a esej Kulture bez roba ih prati u prošlost sve do dadaizma početkom XX veka. Druga grupa eseja se bavi karakterom mrežnog oblika organizacije, često se pozivajući na koncepte “prostora tokova” (Manuel Castells), tj. na materijalnu infrastrukturu za organizaciju translokalnosti, zasnovanu na digitalnim informacionim tokovima.

Heritage as common(s). Common(s) as heritage

2020-11-12T01:00:33+01:00Tags: , , , |

In 2014 "the Urban Heritage Research Cluster as part of Critical Heritage Studies, University of Gothenburg, organized seven seminars under the heading: “Heritage as Common(s) – Commons as Heritage, or HAC-CAH. The seminars have brought us to places like Ground Zero in New York, a creek in Olympia, Café The Swan in Amsterdam, Ellis Creek Water Recycling Facility in Petaluma, St Ann´s Church in Manchester, Central Park in New York, the Old city of Jerusalem, Stortorget in Malmö, the Al-Qaryon Square in Nablus, and Gezi Park in Istanbul. We have probed the notion of friendship, scrutinized the paradigm shifts from reproduction to production, explored the tension between top-down and bottom-up heritage. We have enjoyed the potential of biological commons and have looked into the different tempi and temporalities of commoning and heritage works. The seminar series has originated and evolved along the path we set up for the Urban Heritage Research Cluster in the start: “the city as an interface of different temporalities – i.e. past events, dreams for the future and contemporary constraints – and heritage as intermingled in many different urban realities and entangled in issues of aesthetics, ethics, space and power…”."

The Undercommons: Fugitive planning & black studies

2020-11-12T01:02:34+01:00Tags: , , |

In "The Undercommons: Fugitive Planning & Black Study", Moten and Harney examine the University, Debt, Politics and Logistics to help us grasp how these (and other) institutions, organizations and capitalist mechanisms (including the State as an agent of capital) reduce our ability to empathize, our capacity for true learning and our ability to love. Moten and Harney define the “The Undercommons” as “Maroon communities of composition teachers, mentorless graduate students, adjunct Marxist historians, out or queer management professors, state college ethnic studies departments, closed-down film programs, visa-expired Yemeni student newspaper editors, historically black college sociologists, and feminist engineers ” that “refuse to ask for recognition and instead want to take apart, dismantle, tear down the structure that, right now, limits our ability to find each other, to see beyond it and to access the places we know lie beyond its walls. ” The structure itself is holding us back; as we pour our energies into combatting mass incarceration, debt-slavery, and the professionalization of intellect, Moten and Harney argue that we only buttress the society that makes such singularly anti-human calamities possible in the first place...

State of insecurity: Government of the precarious

2020-11-12T00:59:02+01:00Tags: , , |

From the review by Ana Vujanović: The political theorist Isabell Lorey has appeared as one of the most striking European voices in the recent debate on precarity and precarization in neoliberalism. Her theoretical discourse draws from the referential frameworks of political and biopolitical theory, feminism, gender and postcolonial studies, as well as of recent social and political movements, such as Euromayday, Occupy and 15-M. This invigorating and politically sharp intersection has created a potent critical platform for analyzing representative democracy, biopolitical governmentality, immunization, and precarization, which belong to Lorey's main concerns. Isabell Lorey is particularly concerned with the neoliberal “state of insecurity” and how it relates to the process of precarization. In fact, although the book is entitled State of Insecurity, it could also be considered a sequel of Lorey’s long-term research on precarity, a sequel that focuses on how precarization is immersed in neoliberal government of and by insecurity. The line that opens the book reads: “If we fail to understand precarization, then we understand neither the politics nor the economy of the present."

Da li bi politika univerzalnog osnovnog dohotka mogla biti primenjiva u Srbiji?

2018-10-16T20:13:59+01:00Tags: , , |

Iako se poslednjih nekoliko godina univerzalni osnovni dohodak (UOD) provlači kroz mejnstrim politike, i dalje nije sasvim jasno o tome šta on podrazumeva i u kojim se okolnostima može smatrati progresivnom politikom. Može li UOD funkcionisati u Srbiji, pogotovo imajući u vidu društvene i ekonomske izazove sa kojima se suočavamo u 21. veku?

Nove politike solidarnosti: Sloboda od rada

2022-07-14T14:32:57+01:00Tags: , |

Univerzalne osnovne usluge (universal basic services) su recentna ideja koja je privukla veliku pažnju javnosti zbog potencijala da redefiniše državu blagostanja i uspešno odgovori na izazove 21. veka. Univerzalne osnovne usluge podrazumevaju proširenje opsega besplatnih javnih usluga koji će osigurati pristup svakom građaninu (ili rezidentu) adekvatan stepen sigurnosti, mogućnosti i participacije. Termin univerzalne podrazumeva da su usluge dostupne svima, bez obzira na njihove prihode ili status.

Umetnik/ca u (ne)radu

2020-11-12T01:07:35+01:00Tags: , , |

Istraživačko-umetnički projekat Umetnik/ca u (ne)radu (održan u Novom Sadu između 2010. i 2012.godine) obuhvatao je seriju javnih razgovora, izložbi i publikacija, fokusiranih na istraživanje umetničkih i društvenih praksi koje kritički reflektuju savremeni pojam rada – uslove u kojima se rad ostvaruje, nove društvene potrebe i odnose koje rad proizvodi. Takođe, cilj je bio elaboriranje relativno neistraženog polja istorije umetnosti koje obuhvata prakse koje predstavljaju ekstrem na liniji ovog istraživanja – odluke umetnika/ca da napuste bavljenje umetnošću i produkciju umetničkih dela, propagirajući koncept nerada i „besposličarenja“ (idleness, slacking).

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