U publikaciji “Model zadružnog organizovanja po meri nestandardnih radnika” predstavljeni su rezultati uporedne analize modela zadruga koji okupljaju samostalne radnike (samozaposlene, frilensere, samostalne umetnike itd.), i koje su osnovane sa ciljem da se smanji prekarnost kojoj je ova grupa radnika izložena.
Knjiga je skup tekstova i istraživanja Branka Horvata koji je pokušao da osnovne pojmove jugoslovenskog socijalizma objasni na jasan i jednostavan način ("zbog toga nema ni citata, ni bibliografije, ni druge uobičajene aparature"), uzimajući za uzor Buharinovu knjigu "ABC komunizma" koju smatra dobrom idejom, ali lošom knjigom. U svom teorijskom radu, Horvat socijalizam posmatra kao svetsko-istorijski proces sa tri karakteristična prelaza ka socijalizmu: prelaz razvijenih kapitalističkih zemalja, prelaz etatističkih zemalja i prelaz nerazvijenih zemalja. Međutim, jugoslovenki slučaj ne pripada ni jednom od njih i zato je ovu knjigu posvetio upravo objašnjenju specfiičnosti jugoslovenskog socijalističkog projekta.
William Morris bio je britanski umetnik, arhitekta, dizajner, dekorater, štampar, pesnik, prozni pisac, zanatlija, prevodilac, predavač, politički organizator i socijalista. Za njega je E.P. Thompson napisao da je bio „ prvi kreativni umjetnik visokog kalibra u čitavoj povijesti koji je svjesno i bez trunke kompromisa stao uz revolucionarnu radničku klasu”. Morris je, prihvativši marksizam, uvideo da su beda i ružnoća sveta koje je toliko mrzeo neodvojive od društvenog i ekonomskog sistema u kojem nastaju, a da je regeneracija umetnosti (i života) fundamentalno političko, a ne isključivo ni prvenstveno umetničko pitanje.
Nema tehničkog rešenja za populacioni problem. Zahteva fundamentalno proširenje u moralnosti.
The book reconceptualizes the field of urban sociology through a critique of the literature of urban sociology (and urbanization) and an attempt to lay the Marxist bases for a reconstructed urban sociology.
U svetu u kojem prava privatne svojine i profitne stope istiskuju sve druge koncepcije prava, autor istražuje pravo na grad u kontekstu oživljavanja interesovanja za ideje Anrija Lefevra o tom pitanju, kao i pojavu svih vrsta društvenih pokreta širom sveta.
Providing a comprehensive introduction to the diverse ways in which ideas of the commons are being conceptualised and enacted both throughout the social sciences and in practical action, this book foregrounds the commons as an arena for political thought and sets an agenda for future research.
The book is a search for a reconciliation between mental space (the space of the philosophers) and real space (the physical and social spheres in which we all live). In the course of his exploration, Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city.
Smatramo da je pitanje dostupnosti i upravljanja vodom, njeno održivo korišćenje i zaštita, političko pitanje na koje neće biti moguće dati odgovor, koji je u skladu sa principima jednakosti i demokratičnosti, bez odgovarajuće analize, vizije i akcije koje u fokus stavljaju potrebe ljudi a ne interese kapitala. Cilj nam je da ovo istraživanje doprinese davanju takvog odgovora.
Anri Lefebvre u ovom tekstu predlaže transdukciju, ekspermentalnu utopiju kao mentalne postupke za osmišljavanje novog humanizma i novog grada. Pravo na urbani žvot može da stvori samo radnička klasa i za to su joj potrebni politički program urbane reforme i urbanistički projekti.
Knjiga obuhvata 11 tekstova Feliksa Štaldera.Prvih sedam se bavi različitim aspektima nastanka i kritikom “otvorenih kultura”, tj. novih procesa u kulturi inspirisanih Pokretom za kompjuterski softver slobodnog i otvorenog kôda. Dok je nedavna praksa ovog pokreta važna referenca, kulturne prakse koje su otvorene za slobodnu rekonfiguraciju su, naravno, mnogo starije, a esej Kulture bez roba ih prati u prošlost sve do dadaizma početkom XX veka. Druga grupa eseja se bavi karakterom mrežnog oblika organizacije, često se pozivajući na koncepte “prostora tokova” (Manuel Castells), tj. na materijalnu infrastrukturu za organizaciju translokalnosti, zasnovanu na digitalnim informacionim tokovima.
Situated in the post-welfare transition of European societies within the context defined by austerity measures, unemployment, the financialisation of real estate stocks and the gradual withdrawal of public administrations from social services, this book aims at highlighting the importance of self-organised, locally rooted, inclusive and resilient community networks and civic spaces.
Sa namerom da ovom publikacijom doprinesemo postojećim istraživanjima na temu zadružnog stanovanja, fokusirali smo se na istraživanje primera dobre prakse, odnosno različitih modela stanovanja u evropskim gradovima. Pored toga, ključni deo publikacije predstavlja i analiza normativnog i regulatornog okvira u Srbiji, u nameri da prepoznamo mehanizme i instrumente koji bi omogućili primenu nekih od ovih modela u lokalnom kontekstu ili ponudimo smernice za unapređenje postojećih.
The past decades have seen significant urban insurrections worldwide, and this volume analyzes some of them from an anthropological perspective; it argues that transformations of urban class relationships must be approached in a way that is both globally informed and deeply embedded in local and popular histories, and contends that every case of urban mobilization should be understood against its precise context in the global capitalist transformation. The book examines cases of mobilization across the globe, and employs a Marxian class framework, open to the diverse and multi-scalar dynamics of urban politics, especially struggles for spatial justice.
This publication explores new politics in Europe and describes the commons in different spheres of society, economy and politics. The book is divided into seven thematic sections. Most sections have a theoretical position and a practical case study. All sections feature influential thinkers whose voices we want to amplify. This book is comprised of the insights of more than 20 writers, activists and pioneers, standing on the shoulders of hundreds more.
Članak je deo knjige Rudija Supeka "Participacija, radnička kontrola i samoupravljanje. Prilog povijenom kontinuietu jedne ideje" izdate 1974. Članak predstavlja istorijski razvoj ideje radničkog samoupravljanja od utopijskih koncepata do radničkih pokreta u 20. veku i različitih oblika i faza samoupravnog eksperimenta.
The article discusses the threats to academic freedom coming from the state and market trying to sketch a theory of academic freedom taking us beyond our need to defend academic work and institutions from these threats.
Derivative rights (like the right to be treated with dignity) should become fundamental and fundamental rights (of private property and the profit rate) should become derivative. But new rights can also be defined: like the right to the city which is not merely a right of access to what the property speculators and state planners define, but an active right to make the city different, to shape it more in accord with our heart's desire, and to re-make ourselves thereby in a different image.
Knjiga prati izložbu održanu u Novom Sadu 2005. godine u produkciji kuda.org. Tematska instalacija “Alternativne ekonomije, alternativna društva” Olivera Roslera se fokusirala na raznolike koncepte i modele alternativnih ekonomija i društava, kojima je zajedničko odbacivanje kapitalističkog sistema vladavine. Za svaki koncept je napravljen po jedan intervju. Partneri u intervjuima su ekonomisti, stručnjaci iz oblasti političkih nauka, autori i istoričari. Iz ovih intervjua je napravljen video zapis na engleskom jeziku. Prateća knjiga obuhvata brojne tekstove napisane oko tema koje je pokrenula izložba.
Knjiga sadrži 7 tekstova Edvarda Kardelja iz perioda izmedju 1941. i 1978. godine.
In this chapter it is argued that even when one’s causal contribution to an outcome is imperceptible, or non-existent, one can be morally responsible for it; responsibility is not based on causation.
Standing discusses an emerging class of people facing insecurity, moving in and out of precarious work that gives little meaning to their lives. He warns that the growth of the precariat is producing instabilities in society. Its internal divisions have led to the villainization of migrants and other vulnerable groups and some are susceptible to the dangers of political extremism. Standing argues for a new politics which puts the fears and aspirations of the precariat at the heart of a progressive strategy of redistribution and income security. "This book is about a new group in the world, a class-in-the-making. It sets out to answer five questions: What is it? Why should we care about its growth? Why is it growing? Who is entering it? And where is the precariat taking us?"
Izveštaj razmatra odnosn države i zajedničkih dobara. Učesnici radionice zastupaju tezu da država i zajednička dobra mogu plodno da koegzistiraju ako zajednica rekonceptualizuje državu iz perspektive zajedničkog dobra. Država može da podrži zajednička dobra i postkapitalističke oblike upravljanja.
Knjiga (na francuskom jeziku) je zbirka tekstova dvadeset autora, uglavnom francuskih, koji se bave promenama u konceptu korišćenja digitalnih platformi za dostupnost znanja i rezultata rada u umetnosti, nauci i drugim oblastima znanja.
The book explores the ideological thoughts under the notion of the commons and asks how this shapes the reality of our living together. Pays attention to the aesthetic dimension of communism as an ideology: what artistic strategies and what aesthetics do commoners adopt? After half a century of neoliberalism, a new radical, practice-based ideology is making its way from the margins: commonism, with an o in the middle. It is based on the values of sharing, common (intellectual) ownership and new social co-operations. Commoners assert that social relationships can replace money (contract) relationships. They advocate solidarity and they trust in peer-to-peer relationships to develop new ways of production. Commonism maps those new ideological thoughts. How do they work and, especially, what is their aesthetics? How do they shape the reality of our living together? Is there another, more just future imaginable through the commons? What strategies and what aesthetics do commoners adopt? This book explores this new political belief system, alternating between theoretical analysis, wild artistic speculation, inspiring art examples, almost empirical observations and critical reflection.
Ungoverning Dance examines the work of progressive contemporary dance artists in continental Europe from the mid 1990s to 2015.
Knjigu je napisao tadašnji profesor prava na Stenford Univerzitetu kao rezultat istraživanja o opasnostima i ograničenjima koncepta copyright-a za sve kreativne delatnosti, od različitih umetničkih disciplina do cyber prostora, deljenja znanja i pristupa rezultatima kreativnog rada.
The article makes a critical step towards a few now already established claims of the chief theoretical protagonists of the commons – Michael Hardt and Antonio Negri1 – who offer a way out from the allegedly false binaries and dilemmas between private or public, state or market, capitalism or socialism.
In 2014 "the Urban Heritage Research Cluster as part of Critical Heritage Studies, University of Gothenburg, organized seven seminars under the heading: “Heritage as Common(s) – Commons as Heritage, or HAC-CAH. The seminars have brought us to places like Ground Zero in New York, a creek in Olympia, Café The Swan in Amsterdam, Ellis Creek Water Recycling Facility in Petaluma, St Ann´s Church in Manchester, Central Park in New York, the Old city of Jerusalem, Stortorget in Malmö, the Al-Qaryon Square in Nablus, and Gezi Park in Istanbul. We have probed the notion of friendship, scrutinized the paradigm shifts from reproduction to production, explored the tension between top-down and bottom-up heritage. We have enjoyed the potential of biological commons and have looked into the different tempi and temporalities of commoning and heritage works. The seminar series has originated and evolved along the path we set up for the Urban Heritage Research Cluster in the start: “the city as an interface of different temporalities – i.e. past events, dreams for the future and contemporary constraints – and heritage as intermingled in many different urban realities and entangled in issues of aesthetics, ethics, space and power…”."
"Životno delo", kako je samo autor nazvao ovu knjigu, predstavlja sveobuhvatnu studiju političke ekonomije socijalizma koja je pokušaj sintetičkog pregleda uslova u kojima se vodi neprekidna borba između kapitalističkih durštvenih odnosa i tendencija da se ti odnosi pretvore u socijalističke. On smatra da je podela sveta na kapitalistički i socijalistički blok (u drugoj polovini 20. veka) površna ocena jer: "...jedini važan interes, zajednički i jednom i drugom bloku, jest spriječiti pravi socijalistički razvoj bilo gdje u svijetu." Knjiga je najpre objavljena na engleskom jeziku, u Njujorku, gde je doživela veliki uspeh, a tek naknadno je prevedena na srpskohrvatski jezik i objavljena u Jugoslaviji.
