The Tragedy of the Commons
In this chapter it is argued that even when one’s causal contribution to an outcome is imperceptible, or non-existent, one can be morally responsible for it; responsibility is not based on causation.
In this chapter it is argued that even when one’s causal contribution to an outcome is imperceptible, or non-existent, one can be morally responsible for it; responsibility is not based on causation.
In "The Undercommons: Fugitive Planning & Black Study", Moten and Harney examine the University, Debt, Politics and Logistics to help us grasp how these (and other) institutions, organizations and capitalist mechanisms (including the State as an agent of capital) reduce our ability to empathize, our capacity for true learning and our ability to love. Moten and Harney define the “The Undercommons” as “Maroon communities of composition teachers, mentorless graduate students, adjunct Marxist historians, out or queer management professors, state college ethnic studies departments, closed-down film programs, visa-expired Yemeni student newspaper editors, historically black college sociologists, and feminist engineers ” that “refuse to ask for recognition and instead want to take apart, dismantle, tear down the structure that, right now, limits our ability to find each other, to see beyond it and to access the places we know lie beyond its walls. ” The structure itself is holding us back; as we pour our energies into combatting mass incarceration, debt-slavery, and the professionalization of intellect, Moten and Harney argue that we only buttress the society that makes such singularly anti-human calamities possible in the first place...
Publikacija predstavlja niz uvodnih studija koje povezuje jedno jednostavno pitanje: kakva je uloga zajedničkih dobara u prošlim društvima i na koji način ona mogu pomoći u izgradnji budućih. S tim na umu, ova publikacija proučava pojam zajedničkih dobara kroz kritiku kapitalizma kao sistema robne proizvodnje i rasprave o njegovim mogućim alternativa.
The book reconceptualizes the field of urban sociology through a critique of the literature of urban sociology (and urbanization) and an attempt to lay the Marxist bases for a reconstructed urban sociology.
My intention is to say something about the potential of the commons as a political project.
The book explores the ideological thoughts under the notion of the commons and asks how this shapes the reality of our living together. Pays attention to the aesthetic dimension of communism as an ideology: what artistic strategies and what aesthetics do commoners adopt? After half a century of neoliberalism, a new radical, practice-based ideology is making its way from the margins: commonism, with an o in the middle. It is based on the values of sharing, common (intellectual) ownership and new social co-operations. Commoners assert that social relationships can replace money (contract) relationships. They advocate solidarity and they trust in peer-to-peer relationships to develop new ways of production. Commonism maps those new ideological thoughts. How do they work and, especially, what is their aesthetics? How do they shape the reality of our living together? Is there another, more just future imaginable through the commons? What strategies and what aesthetics do commoners adopt? This book explores this new political belief system, alternating between theoretical analysis, wild artistic speculation, inspiring art examples, almost empirical observations and critical reflection.
Ungoverning Dance examines the work of progressive contemporary dance artists in continental Europe from the mid 1990s to 2015.
Temporary Urban Spaces: Ideas for the Flexible Use of the City brings together eleven theoretical essays by renowned authors embracing the new ways of thinking about urban spaces.
Stavrides appeals for a new understanding of common space not only as something that can be governed and open to all, but as an essential aspect of our world that expresses, encourages, and exemplifies new forms of social relations and shared experiences.
U sklopu ovog zbornika želimo doprinijeti supstancijalnom tumačenju demokracije koju smještamo u široko zahvaćeno polje teorijskog promišljanja i ostvarivanja socijalnih prava, što uključuje i radne odnose. Za autorice/autore studija koje čine zbornik demokracija je i metod za ocjenu oblika organiziranja i upravljanja i osnovni princip na kojem treba temeljiti društveno-političko organiziranje i upravljanje zajedničkim resursima.
Tema predavanja je konstrukcija pravnih institucija kroz društvene pokrete.
Autor se zalaže za definiciju proizvodnje među jednakima kroz prizmu činjenica da nezavisni proizvođači koriste zajedničku zalihu proizvodnih sredstava.
Knjiga prati izložbu održanu u Novom Sadu 2005. godine u produkciji kuda.org. Tematska instalacija “Alternativne ekonomije, alternativna društva” Olivera Roslera se fokusirala na raznolike koncepte i modele alternativnih ekonomija i društava, kojima je zajedničko odbacivanje kapitalističkog sistema vladavine. Za svaki koncept je napravljen po jedan intervju. Partneri u intervjuima su ekonomisti, stručnjaci iz oblasti političkih nauka, autori i istoričari. Iz ovih intervjua je napravljen video zapis na engleskom jeziku. Prateća knjiga obuhvata brojne tekstove napisane oko tema koje je pokrenula izložba.
Knjiga (na francuskom jeziku) je zbirka tekstova dvadeset autora, uglavnom francuskih, koji se bave promenama u konceptu korišćenja digitalnih platformi za dostupnost znanja i rezultata rada u umetnosti, nauci i drugim oblastima znanja.
This book rethinks the city by examining its various forms of collectivity – their atmospheres, modes of exclusion and self-organization, as well as how they are governed – on the basis of a critical discussion of the notion of urban commons.
Izveštaj razmatra odnosn države i zajedničkih dobara. Učesnici radionice zastupaju tezu da država i zajednička dobra mogu plodno da koegzistiraju ako zajednica rekonceptualizuje državu iz perspektive zajedničkog dobra. Država može da podrži zajednička dobra i postkapitalističke oblike upravljanja.
U ovoj publikaciji pažnja je usmerena na kategorije samostalnih radnika kod kojih ne postoji dovoljan stepen udruživanja zarad ostvarivanja zajedničkog interesa, a kao rezultat delatnosti kojom se bave i/ili načina na koji su angažovani (kratkoročno, povremeno i za određene zadatke).
Ako zajednička dobra ispravno teoretiziramo i politički sagledamo, zajednička dobra mogu odigrati ključnu ulogu u vraćanju socijalne pravednosti u užu domenu privatno-pravnog diskursa. Međutim, takav pomak iziskuje značajan raskid s prevladavajućim stavom koji pretpostavlja da u upravljanju resursima mora posredovati ili država ili privatno vlasništvo.
The past decades have seen significant urban insurrections worldwide, and this volume analyzes some of them from an anthropological perspective; it argues that transformations of urban class relationships must be approached in a way that is both globally informed and deeply embedded in local and popular histories, and contends that every case of urban mobilization should be understood against its precise context in the global capitalist transformation. The book examines cases of mobilization across the globe, and employs a Marxian class framework, open to the diverse and multi-scalar dynamics of urban politics, especially struggles for spatial justice.
If 'place' and 'local space' are where the 'tangible solidarities' necessary to build an alternate way of life, and an anti-neoliberal politics, must form, then we cannot avoid confronting the systematic obstacles that have to be overcome in realizing such a project. Claims that sustainable local ecologies can serve as the foundation for political action and social alternatives at least require careful scrutiny.
Knjiga obuhvata 11 tekstova Feliksa Štaldera.Prvih sedam se bavi različitim aspektima nastanka i kritikom “otvorenih kultura”, tj. novih procesa u kulturi inspirisanih Pokretom za kompjuterski softver slobodnog i otvorenog kôda. Dok je nedavna praksa ovog pokreta važna referenca, kulturne prakse koje su otvorene za slobodnu rekonfiguraciju su, naravno, mnogo starije, a esej Kulture bez roba ih prati u prošlost sve do dadaizma početkom XX veka. Druga grupa eseja se bavi karakterom mrežnog oblika organizacije, često se pozivajući na koncepte “prostora tokova” (Manuel Castells), tj. na materijalnu infrastrukturu za organizaciju translokalnosti, zasnovanu na digitalnim informacionim tokovima.
In this paper the author will explore a complementary problem: in what ways might Basic Income be seen as a structural reform of capitalism that would facilitate a movement in the direction of socialism?
Knjigu je napisao tadašnji profesor prava na Stenford Univerzitetu kao rezultat istraživanja o opasnostima i ograničenjima koncepta copyright-a za sve kreativne delatnosti, od različitih umetničkih disciplina do cyber prostora, deljenja znanja i pristupa rezultatima kreativnog rada.
Tematski broj časopisa Zarez obuhvata niz prevedenih i novih tekstova koji problematizuju slobodu stvaralašta u uslovima marketizacije interneta, kontrole distribucije znanja i proizvoda kreativnih delatnosti i nauke.
Članak je deo knjige Rudija Supeka "Participacija, radnička kontrola i samoupravljanje. Prilog povijenom kontinuietu jedne ideje" izdate 1974. Članak predstavlja istorijski razvoj ideje radničkog samoupravljanja od utopijskih koncepata do radničkih pokreta u 20. veku i različitih oblika i faza samoupravnog eksperimenta.
This publication offers multiple analyses of the relations between the concept of the right to the city and its application in the urban planning domain, providing a number of examples of how this concept can give practical guidance on urban development, as well as of its limitations in theory and practice.
The text is a critique of commodified reason that will add to the defense of the non-commodified aspects of the academic collective work and its results.
U publikaciji “Model zadružnog organizovanja po meri nestandardnih radnika” predstavljeni su rezultati uporedne analize modela zadruga koji okupljaju samostalne radnike (samozaposlene, frilensere, samostalne umetnike itd.), i koje su osnovane sa ciljem da se smanji prekarnost kojoj je ova grupa radnika izložena.
Publikacija je, kao rezultat zajedničkog rada, predstavila model samoorganizacije nezavisnog kulturnog centra Magacin u Beogradu. Taj model, zasnovan na principima zajedničkog raspolaganja resursima, jednakosti i pravednosti, odgovornosti prema drugima, saradnji i dostupnosti, finansijskoj transparentnosti, kao osnvni mehanizam ima otvoreni kalendar. Njime se omogućava potpuno transparentno upravljanje prostornim resursima, ali i stvaranje zajednice koja zajednički upravlja prostorom i odlučuje o svim aspektima njegovog rada i razvoja.
Precarisation is one of the central concepts of Lorey's research and writing. In this article she aims at explaining the term further dissecting three dimensions of the precarious: precariousness, precarity, and governmental precarization. Her theoretical contribution is of great importance for understanding the world of "cultural producers" in neoliberal society.