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Heritage as common(s). Common(s) as heritage

2020-11-12T01:00:33+01:00Tags: , , , |

In 2014 "the Urban Heritage Research Cluster as part of Critical Heritage Studies, University of Gothenburg, organized seven seminars under the heading: “Heritage as Common(s) – Commons as Heritage, or HAC-CAH. The seminars have brought us to places like Ground Zero in New York, a creek in Olympia, Café The Swan in Amsterdam, Ellis Creek Water Recycling Facility in Petaluma, St Ann´s Church in Manchester, Central Park in New York, the Old city of Jerusalem, Stortorget in Malmö, the Al-Qaryon Square in Nablus, and Gezi Park in Istanbul. We have probed the notion of friendship, scrutinized the paradigm shifts from reproduction to production, explored the tension between top-down and bottom-up heritage. We have enjoyed the potential of biological commons and have looked into the different tempi and temporalities of commoning and heritage works. The seminar series has originated and evolved along the path we set up for the Urban Heritage Research Cluster in the start: “the city as an interface of different temporalities – i.e. past events, dreams for the future and contemporary constraints – and heritage as intermingled in many different urban realities and entangled in issues of aesthetics, ethics, space and power…”."

Magacin: Jedan model za samoorganizovani kulturni centar / Magacin: A model for selforganised cultural center

2020-11-12T01:04:31+01:00Tags: , , , |

Publikacija je, kao rezultat zajedničkog rada, predstavila model samoorganizacije nezavisnog kulturnog centra Magacin u Beogradu. Taj model, zasnovan na principima zajedničkog raspolaganja resursima, jednakosti i pravednosti, odgovornosti prema drugima, saradnji i dostupnosti, finansijskoj transparentnosti, kao osnvni mehanizam ima otvoreni kalendar. Njime se omogućava potpuno transparentno upravljanje prostornim resursima, ali i stvaranje zajednice koja zajednički upravlja prostorom i odlučuje o svim aspektima njegovog rada i razvoja.

Performing the common city: On the crossroads of arts, politics and public life

2020-11-12T01:06:24+01:00Tags: , , , |

Pascal Gielen, art theoretician from Belgium, writes about the contemporary city, its shift from the space for the bourgeois class to the current trend of privatisation of public spaces and the role of arts in these processes. His analysis is based on theories and practices of Haussmann, Michel de Certeau, Chantal Mouffe, Saskia Sassen and others, while going through different conceptions of the city  as the common space: from Haussmann's urban structure in 18th century to Florida's creative city to the common city.

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